Sunday, 2 November 2008

Lonnie Smith


Jazz legend. Lonnie Smith was playing at the Sela Bar in town Tuesday thru Thursday this week. I got a call off Dan Medhurst about 2ish on the Thursday, asking if I wanted to come and assist him on a portrait shoot for the man himself. What an opportunity! I went and we did the shoot. Watching Dan made me realise how much I have yet to learn about photography.. I've barely scratched the surface. Dan's photos can be found on his flickr or website probabily. Google him.
I went back down to the Sela Bar that evening to take some shots, and experience the legend. Corinne Bailey Rae was there too. I left before the second half of his set, it was already midnight, so I missed Corinne singing with him. Apparently during the interval, Lonnie made the bar staff run to McDonald's to get him some fries.. That's a true legend!

Columbo Promo Shoot



I did a promotional photoshoot for Columbo. Ace fun.

Met in town. Took some shots around chinatown. Snook into a construction yard. Caught a bus. Took some shots near the river. Took some shots in Kirkstall Abbey..



Friday, 26 September 2008

Harlan Ellison Interview

Watch this. It's relevant to photography as much as literature.

Tuesday, 23 September 2008

My Top 7 Favourite Portraits At The Moment














Obviously one of my favourite portraits had to be of myself, cos I just love myself that much. The real reason I like this one is because it seems to be one of the few portraits in which I've (more or less) successfully pulled off off-camera flash. Also I photoshopped away all my imperfections, and my eyes are really blue.





This was taken at a Eurovision party that my mum held. It's my uncle as a frenchman.



Charlotte in Cayton. I took a metering from the sky then used a burst of fill-in to keep both Charlotte and the sunset correctly exposed.






Danny was asleep.








My favourite ever portrait? Maybe.

Sunday, 21 September 2008

Long Exposure



















I've been experimenting with long exposures recently. I tried some in the country near Scarborough when it was near pitch-black (see above). I managed to get about 1 good shot for every 30 shots I took, and when they're all about 40 second exposures, that's an annoyingly large amount of wasted battery life. Bastard cars kept speeding down the road that I was stood next with full-beam headlights on which was kinda annoying.

Another day, back at home in Leeds, down on Kirkstall Road. I took out a tripod and some fresh batteries. I got some interesting photos, but there seems to be a lot of mess in the photos near the light sources.

 

I stood in the middle of the road for a few shots. These ones seemed to work a lot better, except people kept slowing down in cars to look at what I was doing. Or maybe they thought I was some kinda speed camera guy. I'm not.



















I tried some off-flash techniques too on the same night, but because I don't have a sync cable or anything, I set long exposures so I could manually trigger the flash at the subject. In this case, my subject was my sister, who is always eager to pose. 

 

For these photos I used a small Vivitar 16m flash unit. It's less complicated and recharges faster than my FL40.

Saturday, 20 September 2008

The Velvet Orchestra



















I got in contact with The Velvet Orchestra through myspace. I went to meet them at The Cockpit, but realised that I hadn't a clue what they looked like, so I spent a while stood outside feeling stupid. Not as stupid as I felt when I discovered that I'd actually been stood right next to them for quite a while without realising.

After introducing ourselves and stuff we took a short walk and I took some photos under the arches. Unfortunately, my FL40 was playing up a bit so I missed a lot of potentially great shots.

We couldn't shoot for long as the had a sound check, which I stayed around for and they were amazing. They gave me free copies of their EP and single, which I have yet to find a record player to listen to it on (it's a WHITE vinyl!). And a badge, which has been pinned to my camera bag since.

    
 

They were amazing performers and great people. They have inspired me to make more music. Unfortunately I didn't get the chance to see them live. One of the doormen refused to let me back in after I stepped outside to make a phone call, then I stood in the rain till I found them again round the back. I hate doormen.

I took a few shots for their record label (Salt The Wound), but due to fore-mentioned problems with my flash, only two came out.

In the photo is The Velvet Orchestra, Solus Locus (another band signed to Salt the Wound), and the label managers.















Then I went home to change into dry clothes. 

I planned to go to their next gig a few days later. The doorman didn't let me in. I hate doormen.

Even though I haven't seen them play live yet, I'm still incredibly chuffed that I managed to watch their soundcheck, cos they're ace.


The Velvet Orchestra can be found at: www.myspace.com/thevelvetorchestra
Listen to: The Creator, These Children Are The Future.

Salt the Wound label can be found at: www.saltthewoundrecords.co.uk

Leemun's art company is worth checking out too, I love their design work. They made all the album artwork. The Velvet Orchestra aren't just music. They are art.
www.kraffhics.com

The Eloquent Young



















I designed the flyer for The Eloquent Young's next gig.

I'm also doing the live photography for it. Which is nice.

If you're in Leeds on 23rd September, it could be quite a good night. I'm going.

Can you tell what albums are piled up on the left? They're in my room.